Since the creator of the building, Kisho Kurokawa, himself thought to update capsules through time, the renovation works implied reconsideration of the capsule's design to fit modern times. Moreover, the capsule dilapidated until the bones, thus, ironically, except the unit bathroom made from plastic, there was nothing more to preserve. We decided to turn this disadvantage into opportunity. 

What is why sofa storage was created. It leans to the visiting card of the capsule - round window and taking aside the beautiful view on former imperial gardens and Tokyo Bay, the average person perfectly fits inside. Except for another storage near the window, the remaining space is empty corresponding to a zero function which may convert from here to any other. 

The spacious cutting edge electronics for 1970s, if updated, nowadays fit inside a smartphone, leaving the more space for the resident oneself. Moreover, the capsule gets a piece of IOT what seems to remain a trend for the next decades. Lights, sound and air conditioning are controlled by apps installed into a smartphone, therefore, the resident is able to adjust (metabolize) the space depending on one's preferences. The resident, when moved in, receives instruction on how to set up space, making it, in a sense, the electronic device itself because the truly futuristic concept of a capsule home should not be omitted. 

What, nevertheless, does not fit inside the current paradigms of social individualistic behaviors, thus, the capsule itself may deserve its own identity. The unique Ukrainian pattern combining both of two cultures and, nonetheless, traditions together with technology is created in Ukraine and brought to the capsule to decorate one of the walls, making possible to feel cozy inside the allegorical spaceship. 

In any case, the capsule project fulfills the goal to become a liveable space again, gains public support and, lastly, contributes to a revival of the rare capsule architecture.